Capitalist corporations have the main objective of producing
profits and nothing else. They use advertising to promote sales of their
products that help them achieve this goal. Advertising strategies are designed
to point out and exacerbate the emotional insecurities of the target audience,
making their products capable of solving the “problem”.
Capitalizing on insecurities |
In addition to capitalism, we live in a society that has
cultivated patriarchal norms for centuries. Being that this mode of social
structure has been carry down from generation to generation, it is not
surprising to find that corporations are run by men – of course with a
extremely little input from women during this contemporary times. Thus, in a
world dominated by men, a capitalist system that caters to men is not an absurd
idea either; in fact, capitalism caters to men and thus serves to support
patriarchy.
Consequently, advertising reflects this established order.
Ads, as in the rest of the media, objectify women in order to achieve different
outcomes. For instance, one
desired outcome is to use women for the “male gaze”; the other may be targeting
women to sell products to them that “promise” to provide a desirable trait. As
a result, an area where women have been scrutinized severely is their appearances.
At all times they are being questioned about their fashion, their hair, their
nails, and their bodies in general. Ads are a constant remainder of these
physical attributes and other emotional and behavioral idealized attitudes. As
Kilbourne states in Beauty and the Beast
of Advertising, “Women are constantly exhorted to emulate this ideal, to
feel ashamed and guilty if the fail, and to feel that their desirability and
lovability are contingent upon physical perfection” (Kilbourne, 122).
The idealized beauty that women are told to achieved |
This patriarchal discourse results in sexism and racism. Opposed
to the masculine patriarchy there is femininity. A constant bombard of text and
images in ads targeting women, the messages connote the existence of an
inferior gender, female. Women are portrait subjugated to the powers of men, in
addition to their own existence. In ads, they are the weak entities that
balance out the authoritative omnipresence of their male counterpart. In The More You Subtract, The More You Add,
Kilbourne states, “we learn a great deal about the disparate power of males and
females simply through the body language and poses of advertising. Women,
especially young women, are generally subservient to men in ads, through both
size and position” (Kilbourne, 141). Furthermore, Wykes and Gunter affirm, “for
women language represents them according to the interests of those who
‘represent’ rather than according to women themselves. At the outset of the
twenty-first century those representation are also discontinuous – frail bur fertile;
sexual and maternal, career-girl and geisha; independent but arm-candy;
flirtatious but faithful” (Wykes, 208).
This type of imagery teaches us a great deal about gender
roles. Ads are communicating messages at all times on our daily routines.
Departing from this form of patriarchy economy, advertising tells us through
images and text our desirable behavior according to our assigned gender. Anthony
Cortese says, “advertising sells much more than products; it sells values and
cultural representations such as success and sexuality” (Cortese, 45). These
values and cultural representations are repeated over and over through out the
spectrum of media. Since we are kids, we are in constant contact with these
messages in ads, assimilating and learning from the imagery and text displayed.
Unconsciously, we are learning the expectations that the patriarchal economy is
placing on us. For instances, we learned at a very young age that the ideal female
beauty is that one in terms of the white race: light skin, blonde strait hair,
small facial features, and thin body. This ideal of beauty promotes a racist
environment where other races don’t fit the idealized model. It is only those
colored and ethnic women that have straight hair and small facial and body
features that may be portrait in ads.
The role of man and women according to ads |
Therefore, the images and text, that advertising portraits,
carry out the culture of a patriarchal economy. As Wykes and Gunter state in The media and body image: if looks could
kill, “such discourses are part of the technology of power – capitalist and
patriarchal but also heterosexual, white western and also part of subjective
consciousness” (Wykes, 208).
It is important to develop media literacy and learn to
critically assess advertising. Community based organizations are a good start
to promote a healthier relationship towards advertising. The goal is to help
people to be aware of the dysfunctional connection we all have with the images
and text in ads. Campaigns that expose the patriarchal discourse in media can
help to create awareness of the negative influence of ads. The message should
address directly the problem, patriarchy, and not the economic system,
capitalism, because it is patriarchal messages that result in sexism and
racism. Initiatives like the Center for Media Literacy or genderads.com are an example of creating tools to
educate communities about the negative messages in ads. However, this type of
initiatives must be brought into schools, colleges, community fairs, and other
places where people gather to effectively reach a large amount of people.
Works cited:
Cortese, Anthony J. Provocateur:
images of women and minorities in advertising
Lanham, MD. USA: Rowman &
Littlefield Publishers, 2008.
Kilbourne, J. (1989). Beauty
and the beast of advertising. In Media
and Values. Center
for Media and Values. Los Angeles,
CA. 1989.
Kilbourne, Jean. The
More You Subtract, the More You Add Cutting Girls Down to Size.
(1999): 1-15. Kilbourne Copyright.
Web. 24 Oct. 2014.
Wykes, Maggie and Gunter, Barrie. The media and body image: if looks could kill.
Thousand Oaks, Calif.: Publisher
London; SAGE, 2005.
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